![]() For clarity, I have added suggested fingering above the chords in Ex. ![]() Therefore, we worked in isolation, using several practice concepts. On first glance, it looks quite straight-forward, but my student, who has relatively small hands, struggled to play these right-hand chords without feeling tense and tight. This passage consists of chords in the right hand. The area which she found ‘tricky’ was from bar 7 – 11 of the final Lento section. This delightfully contemplative piece presents a few technical challenges, not least the opening introduction, which must sound improvisatory, and the subsequent Moderato passage (from bar 4), with its copious demisemiquaver figurations. ![]() ![]() A student recently studied the Praeludium from Ludas Tonalis by Hindemith. Today’s ‘Tricky Corner’ examines those pesky fourth and fifth fingers in chords.
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